The story begins with Madeleine discovering the body of the powerful producer who had promised her a career breakthrough, only to back out last minute. With few prospects and even fewer allies, Madeleine becomes the prime suspect, and the Parisian press quickly latches onto her case, turning it into a scandal that captivates the city. The investigation takes on a public spectacle, with every detail of her life and relationship with the victim scrutinized. Sensing an opportunity, Madeleine teams up with her best friend, Pauline, a shrewd and witty aspiring lawyer. Together, they concoct an audacious plan to manipulate public perception and turn Madeleine’s trial into a stage for her talent.

As the trial progresses, The Crime is Mine navigates a blend of satire and suspense, offering biting commentary on fame, power, and gender dynamics. Pauline’s brilliant, unorthodox defense strategy shines as she weaves a narrative that casts doubt on the evidence, transforming Madeleine from a suspected murderer into a symbol of an innocent woman wronged. The courtroom scenes are charged with suspense, wit, and theatrical flair, and Madeleine’s transformation into a public sensation puts her on the cusp of the stardom she always dreamed of—but at a price.

The film’s vibrant cinematography, period costumes, and Art Deco sets capture the glamour and decadence of 1930s Paris, providing a lush backdrop for the unfolding drama. Each twist and revelation sheds light on the tangled motives and rivalries lurking beneath the city’s sophisticated exterior, keeping viewers guessing about who the true culprit might be.